In these ‘naturally occurring’ diptychs, structure confronts expanse not to cleave reality but to heal it. The odd choice of center positions the viewer to process duality as it emerges unnecessarily in an unexpected context, a fragment of urban landscape. Reconsider opposition as balance. If we only ask why we are compelled to the symmetry of contradiction, then we will eventually know unity. The innocuous, inconsequential aesthetic moment, is alternatively a profound solution to our limited understanding of Self.
What do you think?